ECONOGAL

Fictional Mason, Kansas, the setting for Meant to Be, is representative of hundreds of small towns across the Great Plains. And thousands of similar communities all across flyover country. Even though Jude Deveraux paints a less gritty picture than those of author Kent Haruf, the depiction of small town life hits a bull’s eye.

Outsiders to rural America are not immediately accepted. Adapting to places without stoplights and shopping malls can be difficult. Unravelling who is related to whom and how, is even more challenging. Over time individuals either become part of the community. Or move away.

The roadblocks in life are just as taxing for those born and bred in small towns. The yearning to explore the outside world can run strong. The struggle between desire and duty to family is very real. Deveraux captures this conflict in her latest novel.

Growing up I often heard the phrase “It wasn’t meant to be.” My paternal grandmother used it most often. The words were an effort to console a youngster when she couldn’t have everything she wanted. Deveraux’s use of the phrase takes a slight twist. Sometimes things are meant to be-regardless of what life presents. In this book, true love among the key characters is inevitable. Life delays, but doesn’t erase.

The storyline revolves around the Exton sisters. Close in age, but far apart in dreams. Vera yearns to explore the world while Kelly desires to make the small town of Mason her world. Throw in multiple love interests and you have an intriguing tale of passion and true love.

Meant to Be begins in the early 1970s and continues to the present day. The sisters age and remain close in heart if not proximity. There are twists and turns as each generation faces consequences stemming from the actions of the initial characters. The author’s writing tugs at the heart strings. Life is messy and world events impact small towns on a grand scale.

I thoroughly enjoyed Meant to Be. Deveraux captures the conflict of the Vietnam War, the complexity of Equal Rights and many other challenges of the past fifty years. Both technological and sociological. She paints a picture of change without preachiness. Or superiority. Instead, her writing reflects the culture. All while weaving a story of love, lost and found.